Mihalj Mesaroš was born in Novi Bečej in 1935, in an era when dreams were shaped on dusty football pitches and the game itself was played more with the heart than for reward. His first steps toward the wider world were taken in Zrenjanin, from where, at only eighteen years of age, his exceptional talent carried him further than he could have imagined — straight into the ranks of FK Partizan.

Sava Baračkov was born in 1929 in Kumane, Banat, where he completed elementary school. He attended construction and architectural secondary schools in Novi Bečej, Petrovgrad, and Novi Sad. In 1955, he graduated from the Department of Scenography at the Academy of Applied Arts in Belgrade, under the mentorship of Professor Milenko Šerban.

...On March 27, 1941, communists stood with the masses, explaining the essence of the events and leading all protests and revolts against the shameful and treacherous betrayal of the country by the pro-fascist government.
Throughout the day, communists and members of the Communist Youth League (SKOJ) conducted extensive agitation, aiming to initiate democratization and organize a protest meeting. All social organizations, schools, and the entire village were mobilized.

Pavle Janković - Šole, born on January 19, 1939, in Novi Bečej, was one of the most respected Serbian poets, whose poetry, although primarily intended for children, carried deep messages for adults as well. His name in literature is associated with an authentic and gentle approach to childhood, making him an expert in understanding children's thoughts and dreams.

Dragiša Bunjevački, a painter from Novi Bečej and the founder of the group “Selo,” was born in 1925 in Pančevo.
He was an artist who lived to paint, but never lived from painting nor painted merely to survive.

Laza Telečki (1839—1873) made his debut at the National Theater (SNP) on Sunday, June 10/22, 1862, in the lead role of Avakum in the comedic play Better to Know than to Have by Jovan Ristić Bečkerec. "This play, which lacks a distinct plot, gained much through excellent performance," wrote the Danica journal on June 20.

Milorad “Mića” Josimović (born in 1949) is a versatile artist and designer, a man whose creativity and craftsmanship have left a lasting mark on the artistic life of Novi Bečej and beyond.

In his secular life, Nedeljko Iličić was born on November 6, 1906, in Novi Bečej to father Nedeljko and mother Sofija (née Tucakov). After completing primary school in his hometown, he attended high school in Veliki Bečkereki, and after graduating from the Theological Seminary in Sremski Karlovci, he obtained his degree from the Theological Faculty in Belgrade as a student of Bishop Georgije Letić of Timișoara.

The stage — the “boards that mean the world” — has been a lifelong inspiration for Saša Milenković, an actor, director, and passionate theater devotee who has dedicated his life to the art of performance.
Born in 1963, Saša stepped onto the theatrical scene in 1978 and has remained actively involved ever since, contributing immensely to the cultural and artistic life of Novi Bečej and beyond.

Fifty years have passed since the day when seven hundred Jews from northern Banat, including one hundred and sixty of our fellow citizens, vanished forever from the banks of the Tisa River near Novi Bečej. They were carried away by the black ships of death into the abyss of annihilation.

On the occasion of the 130th anniversary of its establishment (1882 – 2012)

The organization of the fire service in the territory of present-day Vojvodina initially began in a scattered, sporadic, unorganized, and disconnected manner. The involvement of central authorities was not felt, as it was more of a matter for individual municipalities or, at best, the first higher socio-political communities, such as counties in the Austrian Empire, later Austria-Hungary.

Traces of permanent human settlements in the municipality of Novi Bečej have been discovered in Borđoš, Garajevac, and Matejski Brod. Recognized as a significant archaeological site, Matejski Brod was placed under state protection by the decision of the Institute for Protection and Scientific Study of Cultural Monuments of the People’s Republic of Serbia in 1950.

How This Booklet Came to Be

When my article titled “Kumane” appeared in the Yugoslav Daily on August 2, 1931 (issue no. 202), my parishioners received it with great enthusiasm. It was read aloud in gatherings and on street corners before groups of listeners. Soon, many expressed the wish that it be printed as a small booklet and distributed among the people of my parish.

A master of watercolor and a guitar virtuoso, Branislav Stojančev—affectionately known to the people of Novi Bečej as Paša—was born in 1952. A lover of art, nature, and the Tisa River, he began his watercolor journey in 2001, dedicating himself to this delicate yet demanding painting technique. Since then, he has embraced its challenges with great success, finding in watercolor a source of peace, inspiration, and inner balance.

Tivadar Košut, a world-renowned naïve painter, was born in 1947 in Novi Bečej. He inherited his love for painting from his mother, who painted icons. Although his parents wanted him to become a carpenter or a ceramicist, art ultimately became his true calling.

Janos Mesaros entered the stage of naïve art in the early 1960s. As a young and talented painter, he became a member of the group of naïve artists “Selo” founded in Novi Bečej by Dragiša Bunjevački. Alongside Bunjevački, one of the most remarkable representatives of naïve art in Serbia, the group also included Milica and Milivoj Mirić, Svetozar Kiselički, Tivadar Košut, and Janos Mesaros.

At the end of the 9th century, specifically in 895, the Hungarians invaded the region along the middle course of the Danube and Tisza rivers, where they encountered numerous South Slavic tribes. Initially participants in and organizers of raids, they gradually transitioned to a settled way of life and adopted many habits and customs of the indigenous South Slavic population.

The medieval settlement of Arača is located on the southern shore of Crna Bara, a watercourse within the alluvial plain of the Tisza River, about 13 kilometers east of its riverbed. The name of this settlement, also referred to in sources as Potiska Arača, is associated with the ruins of a basilica and monastery.

The theatrical work of Jovan Knežević is mostly known in fragments, particularly from the time he founded his renowned theatre troupe in the autumn of 1860. At that time, with the political climate shifting in Hungary and greater political freedoms and autonomy being granted (the so-called October Diploma of 1860), an active theatrical life among Serbs was revived after a decade of Bach’s absolutist repression.

Drinking in front of stores in Serbia is not just a custom – it’s an institution! It dates back to the first store and the first bottle of rakija – essentially, since the dawn of time. Even the old craftsmen in the Ottoman period would take a “merak break,” drinking in front of shops while debating if it would rain.

Responsibility, ambition, and dedication marked the life and career of Dr. Milorad Drobac, Doctor of Economic Sciences.
He was born on February 11, 1948, in Bočar, where he completed elementary school as the top student of his class.

The Košut family lived in a modest house covered with reeds, with small, misty windows through which young Tivadar observed and created his own world. Sitting by the oil lamp, he listened to the stories of old women about the creation of the world, Adam and Eve, the flood, Christ and his miracles, dreaming how happy he would be if he could paint it all.

The renowned teacher from Kumanovo, Aleksandar "Šandor" Popović, was born in Bačko Petrovo Selo, where his father worked as a municipal official. Later, he lived in Belgrade, where he pursued his teaching career. His wife was Cveta Horvatova, the sister of the well-known pharmacist Dušan Horvat, and their father was a teacher, Radislav.

Telečki was an unusual, curious, lively, inquisitive, multifaceted, and, above all, restless personality. At the dawn of our first professional theaters, he quickly emerged in the spotlight and became our first acting star.

Ljubiša Jocić was a poet, writer, painter, director, and an experimenter with form and meaning—but above all, a man of play and artistic exploration. His creative journey spanned half a century, leaving behind a rich body of work that includes poems, novels, anti-novels, plays, films, and paintings.

In 1995, Novi Bečej thrived despite economic challenges. The town, closely tied to the Tisa River, saw growth in education, culture, tourism, and community initiatives.

This year, and specifically these days, marks exactly 20 years since the founding of the Tisa Watercolor Academy, which has been held continuously to this day. On all brochures, catalogs, monographs, and records of this watercolor art colony’s history, you will find undeniable facts that in 1995, Milorad "Miša" Berbakov, Zdravko Mandić, Grujica Lazarević, Đorđe Simić, and Vlastimir "Vlasta" Nikolić decided to establish this artistic colony in Novi Bečej, within the premises of the Workers' University on the Tisa River, under the auspices of the Cultural Center.

The First Serbian Agricultural Cooperative was founded in Vranjevo in November 1909. The founders of the cooperative were: Dušan Vujackov, Bogoljub Malešev, Miloš Isakov, Ivan Popov, Nova Dujin, Živa Malešev, Živko Pejin, Nikola Tomašev, Marinko Perić, Arkadije Miletić, Živa Pantelić, Joca Vrebalov, and Isa Tomašev. Dušan Vujackov was elected president of the cooperative, and Bogoljub Malešev was chosen as the manager, who both played a major role in the establishment of the cooperative.

Ljubica Odadžić was born in 1917 into a poor peasant family. In her early youth, she left her parents' home and moved to Belgrade in search of work. Through Milica Blažić in her hometown, she became acquainted with the ideas of the progressive movement. Upon arriving in Belgrade, she was quickly accepted by progressive comrades who helped her find employment. She started working at the "Mitić" Textile Factory, now known as the "Beograd Cotton Plant."

Last night, at half past seven, a member of the Serbian National Theatre, Serbian actor and writer, the most outstanding theatrical character artist in the Slavic South—Laza Telečki—passed away at the age of 33. Tuberculosis, which has become a common ailment among the youth, and in his case, almost a family curse—having already claimed two of his brothers and a sister—has taken his life.