Responsibility, ambition, and dedication marked the life and career of Dr. Milorad Drobac, Doctor of Economic Sciences.
He was born on February 11, 1948, in Bočar, where he completed elementary school as the top student of his class.
Breathe life into the forgotten stories of Novi Bečej through our rich collection of articles dedicated to people and events from the past. Travel through the ages, exploring the colorful array of historical moments that shaped our city.
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Since the great storm of 1931 toppled the slender tower of the Orthodox Church in Novi Bečej, only a few photographs and postcards remain as documents of that never-forgotten, much-talked-about ornament of our church. When a new tower with a wider structure and a considerably shorter height was erected later that same year, the citizens, especially the faithful, did not look upon it with much affection.
Pavle Janković - Šole, born on January 19, 1939, in Novi Bečej, was one of the most respected Serbian poets, whose poetry, although primarily intended for children, carried deep messages for adults as well. His name in literature is associated with an authentic and gentle approach to childhood, making him an expert in understanding children's thoughts and dreams.
Janos Mesaros entered the stage of naïve art in the early 1960s. As a young and talented painter, he became a member of the group of naïve artists “Selo” founded in Novi Bečej by Dragiša Bunjevački. Alongside Bunjevački, one of the most remarkable representatives of naïve art in Serbia, the group also included Milica and Milivoj Mirić, Svetozar Kiselički, Tivadar Košut, and Janos Mesaros.
Stevan Davidović was born on October 6, 1949, in Novi Bečej. He completed his primary and secondary education in his hometown, where he also graduated from the local Grammar School. He went on to earn a degree from the Higher Pedagogical School in Zrenjanin, majoring in Serbo-Croatian language and the history of Yugoslav literatures.
...On March 27, 1941, communists stood with the masses, explaining the essence of the events and leading all protests and revolts against the shameful and treacherous betrayal of the country by the pro-fascist government.
Throughout the day, communists and members of the Communist Youth League (SKOJ) conducted extensive agitation, aiming to initiate democratization and organize a protest meeting. All social organizations, schools, and the entire village were mobilized.
The medieval settlement of Arača is located on the southern shore of Crna Bara, a watercourse within the alluvial plain of the Tisza River, about 13 kilometers east of its riverbed. The name of this settlement, also referred to in sources as Potiska Arača, is associated with the ruins of a basilica and monastery.
Laza Telečki (1839—1873) made his debut at the National Theater (SNP) on Sunday, June 10/22, 1862, in the lead role of Avakum in the comedic play Better to Know than to Have by Jovan Ristić Bečkerec. "This play, which lacks a distinct plot, gained much through excellent performance," wrote the Danica journal on June 20.
Last night, at half past seven, a member of the Serbian National Theatre, Serbian actor and writer, the most outstanding theatrical character artist in the Slavic South—Laza Telečki—passed away at the age of 33. Tuberculosis, which has become a common ailment among the youth, and in his case, almost a family curse—having already claimed two of his brothers and a sister—has taken his life.
The stage — the “boards that mean the world” — has been a lifelong inspiration for Saša Milenković, an actor, director, and passionate theater devotee who has dedicated his life to the art of performance.
Born in 1963, Saša stepped onto the theatrical scene in 1978 and has remained actively involved ever since, contributing immensely to the cultural and artistic life of Novi Bečej and beyond.
A master of watercolor and a guitar virtuoso, Branislav Stojančev—affectionately known to the people of Novi Bečej as Paša—was born in 1952. A lover of art, nature, and the Tisa River, he began his watercolor journey in 2001, dedicating himself to this delicate yet demanding painting technique. Since then, he has embraced its challenges with great success, finding in watercolor a source of peace, inspiration, and inner balance.
Tibor Nađ was born in 1952 in Novi Bečej. He graduated from the School of Applied Arts in Novi Sad in 1973. His work spans painting, industrial design, and unique ceramics.
All of us from Novi Bečej are well acquainted with the beautiful two-story building with an Einfort (arched passage) entrance on the main street, located between the Miloje Čiplić Elementary School and the Sakač family house. Today, on the ground floor of this building, to the left of the entrance, there is a commercial space (formerly the Trocadero café), while on the right is the headquarters of the Tourist Organization of the Municipality of Novi Bečej.
Perhaps the reason must be invented
Perhaps the relation between the idea and its conventional realization in traditional painting techniques, as well as the relation between such an image and its photocopy (which contains additions from photographs and objects), can be measured—perhaps even considered identical.
Telečki was an unusual, curious, lively, inquisitive, multifaceted, and, above all, restless personality. At the dawn of our first professional theaters, he quickly emerged in the spotlight and became our first acting star.
Mihalj Mesaroš was born in Novi Bečej in 1935, in an era when dreams were shaped on dusty football pitches and the game itself was played more with the heart than for reward. His first steps toward the wider world were taken in Zrenjanin, from where, at only eighteen years of age, his exceptional talent carried him further than he could have imagined — straight into the ranks of FK Partizan.
If anyone were to write a chronicle of this festival, they would have to start with the year 1992, when the children's choir from Bočar, conducted by Zagorka Zaga Jegdić, performed as a guest at the Firemen's House in Negotin during the "Mokranjčevi Days." Numerous witnesses of this musical event were captivated by the singing talent of these children and the freshness of their voices.
Dr Ljubomir Pavlović was born in Novi Bečej on June 18, 1868, into the family of Nikita Pavlović, a gingerbread maker, and his wife Marica. He received his elementary education in his hometown and completed his secondary education in Sremski Karlovci and Hódmezővásárhely. He studied medicine in Vienna and Budapest, graduating in 1892.
Drinking in front of stores in Serbia is not just a custom – it’s an institution! It dates back to the first store and the first bottle of rakija – essentially, since the dawn of time. Even the old craftsmen in the Ottoman period would take a “merak break,” drinking in front of shops while debating if it would rain.
This image shows the appearance of Novi Bečej in the late 1910s, with a focus on its Main Street — at the time, the central axis of everyday life, trade, education, and religion. On the left side, we see the prominent building of the state school, one of the cornerstones of the town’s modernization. This institution served not only as a place of learning but also as a space for shaping the collective identity of a diverse population.
The Košut family lived in a modest house covered with reeds, with small, misty windows through which young Tivadar observed and created his own world. Sitting by the oil lamp, he listened to the stories of old women about the creation of the world, Adam and Eve, the flood, Christ and his miracles, dreaming how happy he would be if he could paint it all.
How This Booklet Came to Be
When my article titled “Kumane” appeared in the Yugoslav Daily on August 2, 1931 (issue no. 202), my parishioners received it with great enthusiasm. It was read aloud in gatherings and on street corners before groups of listeners. Soon, many expressed the wish that it be printed as a small booklet and distributed among the people of my parish.
Dragiša Bunjevački, a painter from Novi Bečej and the founder of the group “Selo,” was born in 1925 in Pančevo.
He was an artist who lived to paint, but never lived from painting nor painted merely to survive.
Miloje Čiplić was born on February 25, 1912, in Novi Bečej.
His parents, both teachers in Novi Bečej, provided conditions for their three sons—Miloje being the youngest—to prepare themselves, undisturbed in a quiet and orderly family haven, to ascend higher on the hierarchical ladder of bourgeois society than they themselves had.
Ivan Jovanović, an only child of Dragomir Jovanović, a merchant, and Zlata Jovanović, née Aranka Stanišić, a teacher, was born in Novi Bečej on February 13, 1928. The Jovanović family house was located in the heart of the town on Žarka Zrenjanina Street, number 1. While his father Dragomir was busy with the family business, Ivan mostly grew up alongside his mother and his aunt Leposava Jovanović, a teacher, who were known not only for their strictness but also for their versatility and fair pedagogical approach toward children.
The two-story building of the former Tursko-Bečejska Savings Bank is located at 3 Marshal Tito Street, extending from the Schlesinger Palace, at the corner with Gimnazijska Street. According to documentation from the Institute for the Protection of Cultural Monuments in Zrenjanin, written by art historian Vesna Majstorović, the following details about the building are known:
