The First Serbian Agricultural Cooperative was founded in Vranjevo in November 1909. The founders of the cooperative were: Dušan Vujackov, Bogoljub Malešev, Miloš Isakov, Ivan Popov, Nova Dujin, Živa Malešev, Živko Pejin, Nikola Tomašev, Marinko Perić, Arkadije Miletić, Živa Pantelić, Joca Vrebalov, and Isa Tomašev. Dušan Vujackov was elected president of the cooperative, and Bogoljub Malešev was chosen as the manager, who both played a major role in the establishment of the cooperative.

Our prominent writer, Isidora Sekulić, says about the homeland:
“Where is the homeland for people? It’s where others around them understand, completely and deeply, what they say, from the last external and internal tremor of their language, they understand what delights them and what hurts them.

May 25–27, 1995
Open Competition for Solo Singers

After the first two “Horizons on the Tisa,” the organizers began preparations for the third festival with even greater enthusiasm and foresight.

Bela Mičik was born in Novi Bečej in 1970 and is today recognized as one of the finest citera (zither) players in Vojvodina. A versatile musician, he plays as many as fourteen instruments, with a special affection for traditional Hungarian ones — the citera and the tekerő (hurdy-gurdy).

Until 1978, there was only one water management organization operating in this region — the Water Management Organization "Gornji Banat," headquartered in Kikinda. After 1978, a new organization was established: the Water Management Organization "Basic Canal Network" (OKM), based in Novi Sad.

Dragiša Bunjevački, a painter from Novi Bečej and the founder of the group “Selo,” was born in 1925 in Pančevo.
He was an artist who lived to paint, but never lived from painting nor painted merely to survive.

Unlike today's farmers, who work the land with tractors and usually keep at least some minimal spare parts like spark plugs, a fan belt, and similar items, in the time my memories refer to, farming was done with horse-drawn plows, and all transportation relied on wagons.

In the final years before the outbreak of the Second World War, a need emerged in Novi Bečej for the establishment of a new football club that would bring together working-class and artisan youth. At that time, Football Club Zvezda already had a stable squad and was, to some extent, closed to the admission of new players from these social groups. As a result, in 1940, a group of young men—mostly of Hungarian origin—founded Sports Club Napredak.

The memories of the people who surrounded me in my hometown are especially dear. Many of them have long passed away, but the beautiful memories remain, and I fondly and respectfully remember them.

The general characteristic of this era was the strong development of industrialization, modernization of transportation, with a marked preference for railroads. Novi Bečej, in such conditions, had nothing to offer. In fact, it lost its previous advantage, and this was the cause of its increasing lag behind Veliki Bečkerek and Velika Kikinda, which gained new momentum.

Novi Bečej is a small town that, before liberation, was considered a town with about 7,000 inhabitants. And when you consider that many of its residents engaged in literature over a period of just about 30 years, and most of them wrote poetry, it can be boldly said that there was a real poetic school in Novi Bečej. Especially when you take into account that a group of the local youth at the time, part of its young intelligentsia, wrote poems as if by some mutual agreement, and some even by an explicit agreement — so much so that they almost literally formed a genuine poetic school.

June 3 and October 4, 1999

After two open solo-vocal competitions (1995 and 1997) and two invitational composition contests (1996 and 1998), the organizers of “Horizons on the Tisa” planned the seventh edition of the event with great ambition.

Perhaps the reason must be invented

Perhaps the relation between the idea and its conventional realization in traditional painting techniques, as well as the relation between such an image and its photocopy (which contains additions from photographs and objects), can be measured—perhaps even considered identical.

The first parliamentary elections for the Constituent Assembly were called only two years after the unification, at a time when the bourgeoisie believed it had achieved a certain level of international and internal consolidation.

The stage — the “boards that mean the world” — has been a lifelong inspiration for Saša Milenković, an actor, director, and passionate theater devotee who has dedicated his life to the art of performance.
Born in 1963, Saša stepped onto the theatrical scene in 1978 and has remained actively involved ever since, contributing immensely to the cultural and artistic life of Novi Bečej and beyond.

Until 1955, kindergartens were part of schools. There were four groups in Serbian (2 groups in Vranjevo and 2 groups in Novi Bečej) and two groups in Hungarian (1 in Šušanj and 1 in the center of Novi Bečej). On September 1, 1955, the kindergarten became independent, with its own administration, and began to focus exclusively on the problems of managing and developing its groups.

Ivan Jovanović, an only child of Dragomir Jovanović, a merchant, and Zlata Jovanović, née Aranka Stanišić, a teacher, was born in Novi Bečej on February 13, 1928. The Jovanović family house was located in the heart of the town on Žarka Zrenjanina Street, number 1. While his father Dragomir was busy with the family business, Ivan mostly grew up alongside his mother and his aunt Leposava Jovanović, a teacher, who were known not only for their strictness but also for their versatility and fair pedagogical approach toward children.

Drainage enables the reception of all excess water from the catchment area—either by gravity (free fall) or artificially using pumps—and evacuates it further into the main receivers: the Tisa and the Danube rivers.

19–21 May 2004
Open Competition for Solo Singers

The biennial alternation between the solo singers’ competition and the invitational composers’ competition for solo songs found its rhythm, so the 12th edition of “Horizons on the Tisa” was marked by the fifth open competition for solo singers.

Laza Telečki (1839—1873) made his debut at the National Theater (SNP) on Sunday, June 10/22, 1862, in the lead role of Avakum in the comedic play Better to Know than to Have by Jovan Ristić Bečkerec. "This play, which lacks a distinct plot, gained much through excellent performance," wrote the Danica journal on June 20.