May 31 – June 1, 2001
Invitational Composers’ Competition
The jubilee marking the 150th anniversary of the birth and 70th anniversary of the death of composer Josif Marinković was celebrated throughout the year with numerous rich and diverse cultural events. The 9th “Horizons on the Tisa” festival centered around the third composers’ competition for art songs, held on May 31 and June 1, 2001.
"Polet," a brick and tile factory, was founded in Novi Bečej by the Bon brothers in the early 20th century. They already owned similar factories in Kikinda and Žombol, recognizing the high quality of the clay in Novi Bečej, which proved to be quite profitable for them. They began investing substantial funds into this factory as well.
In 1995, Novi Bečej thrived despite economic challenges. The town, closely tied to the Tisa River, saw growth in education, culture, tourism, and community initiatives.
The way of life in Banat and Bačka differed under Ottoman rule and after their expulsion, up until the late 18th century. People initially lived in small settlements, but with colonization and land distribution, successful farming created the necessity for farmsteads (salaši).
Telečki was an unusual, curious, lively, inquisitive, multifaceted, and, above all, restless personality. At the dawn of our first professional theaters, he quickly emerged in the spotlight and became our first acting star.
Between the two world wars, Vranjevo and Novi Bečej were two separate administrative municipalities. With the establishment of banovinas in the Kingdom of Yugoslavia in 1929, the idea arose to merge settlements where it was economically justifiable. The Association of Merchants and Industrialists, led by Giga Jovanović, one of the most prominent citizens of Novi Bečej at the time, initiated the idea of merging Vranjevo and Novi Bečej into a single entity.
Janos Mesaros entered the stage of naïve art in the early 1960s. As a young and talented painter, he became a member of the group of naïve artists “Selo” founded in Novi Bečej by Dragiša Bunjevački. Alongside Bunjevački, one of the most remarkable representatives of naïve art in Serbia, the group also included Milica and Milivoj Mirić, Svetozar Kiselički, Tivadar Košut, and Janos Mesaros.
The general characteristic of this era was the strong development of industrialization, modernization of transportation, with a marked preference for railroads. Novi Bečej, in such conditions, had nothing to offer. In fact, it lost its previous advantage, and this was the cause of its increasing lag behind Veliki Bečkerek and Velika Kikinda, which gained new momentum.
I begin to feel my homeland even on the road to Novi Bečej, right after leaving Kumane. On that road from Kumane to Novi Bečej—whether by train or bus—I start recalling everything that once existed there or what ties me to that path, from the time when my love for my homeland was most deeply growing.
In geographical terms, Banat is a region in the southern part of the vast Pannonian Plain, bordered by the rivers Mureș, Tisza, Danube, and the Transylvanian Alps. A large portion of Banat lies in Romania, a small part in Hungary, while the Yugoslavian section is located along the lower courses of the mentioned rivers.
The medieval settlement of Arača is located on the southern shore of Crna Bara, a watercourse within the alluvial plain of the Tisza River, about 13 kilometers east of its riverbed. The name of this settlement, also referred to in sources as Potiska Arača, is associated with the ruins of a basilica and monastery.
Among the many tragic memories from the time of the Jewish deportations in Novi Bečej, one account stands out. Senji Maćaš recalled how Gabriela, the wife of merchant Adolf Berger, carrying her infant son Ladislav—born on January 19, 1941—managed to bribe a guard and escape through a prepared route into Bačka.
The Kostović family settled in the mid-19th century in the settlement of Potisje, known as Franjevu (the old name for Vranjevo), most likely due to its exceptional geographical location for grain trade. The family patriarch, Jovan Kostović, and his son Stevan were both skilled merchants, amassing significant wealth and great respect.
The memories of Easter and Christmas traditions are beautiful—customs that our children, especially our grandchildren, no longer know, yet they remain etched in our memories.
Before saying more about Easter traditions, I must first highlight what was difficult for us as children.
Last night, at half past seven, a member of the Serbian National Theatre, Serbian actor and writer, the most outstanding theatrical character artist in the Slavic South—Laza Telečki—passed away at the age of 33. Tuberculosis, which has become a common ailment among the youth, and in his case, almost a family curse—having already claimed two of his brothers and a sister—has taken his life.
The development of water management in Vojvodina, Banat, and our Novi Bečej region is presented in the following exposition as a report, or more precisely, a story about water and what people have created by living and working on and around water over the past 150 years.
This image shows the appearance of Novi Bečej in the late 1910s, with a focus on its Main Street — at the time, the central axis of everyday life, trade, education, and religion. On the left side, we see the prominent building of the state school, one of the cornerstones of the town’s modernization. This institution served not only as a place of learning but also as a space for shaping the collective identity of a diverse population.
The social life in Novi Bečej and Vranjevo, fifty or more years ago, mainly took place in the Sokolana and taverns. Conferences, meetings, and gatherings of political or scientific nature were held there. In short, all entertainment and social activities happened indoors—either in the Sokolana or in taverns. The only exceptions were summer swimming in the Tisa River, football training, and matches in the Gradište grove.
Ivan Jovanović, an only child of Dragomir Jovanović, a merchant, and Zlata Jovanović, née Aranka Stanišić, a teacher, was born in Novi Bečej on February 13, 1928. The Jovanović family house was located in the heart of the town on Žarka Zrenjanina Street, number 1. While his father Dragomir was busy with the family business, Ivan mostly grew up alongside his mother and his aunt Leposava Jovanović, a teacher, who were known not only for their strictness but also for their versatility and fair pedagogical approach toward children.
The development of fisheries along the Main Canal Network (OKM) is observed through:
The defeat against Banat, which had experienced adult players, did not discourage the boys of Zvezda. On the contrary, they devoted themselves even more to training and played two away matches – the first in Bašaid and the second in Baodra. In these games, Zvezda also included a few former Jedinstvo players, which added physical strength to the team, but it came at the cost of the technical combination play that had been their trademark. Had they continued this way, Zvezda probably would not have fared better than Banat.
After the accident of the small ship Stari Bečej on September 12, 1931, Novi and Stari Bečej were left without daily passenger boat transport for a while. However, this situation didn’t last long, as the Belgrade shipowners Jezdić and Bakarić agreed to provide transport using their beautiful and almost new motorboat Tomislav.
Miloje Čiplić was born on February 25, 1912, in Novi Bečej.
His parents, both teachers in Novi Bečej, provided conditions for their three sons—Miloje being the youngest—to prepare themselves, undisturbed in a quiet and orderly family haven, to ascend higher on the hierarchical ladder of bourgeois society than they themselves had.
The total length of navigable canals currently amounts to:
Sava Baračkov was born in 1929 in Kumane, Banat, where he completed elementary school. He attended construction and architectural secondary schools in Novi Bečej, Petrovgrad, and Novi Sad. In 1955, he graduated from the Department of Scenography at the Academy of Applied Arts in Belgrade, under the mentorship of Professor Milenko Šerban.
The renowned artist and painter Tibor Nađ was born in Novi Bečej on March 23, 1952. He completed his primary education in his hometown and later graduated from the Bogdan Šuput School of Design in Novi Sad, majoring in Interior and Furniture Design.
The Kikinda Canal stretches from its confluence with the Main Canal to its junction with the Zlatica River near Sajan, with a total length of 50.34 km. Its primary function is to collect the Zlatica’s internal waters during periods when the sluice gate at Padej is closed, as well as its own internal waters along the route, and discharge them into the Main Canal.
Laza Telečki (1839—1873) made his debut at the National Theater (SNP) on Sunday, June 10/22, 1862, in the lead role of Avakum in the comedic play Better to Know than to Have by Jovan Ristić Bečkerec. "This play, which lacks a distinct plot, gained much through excellent performance," wrote the Danica journal on June 20.
He was, heart and soul, bound to Vojvodina. However, those who ingratiated themselves with politicians, receiving authority and promotion to influence the cultural development of the province, saw his dedication as intrusive.
Between 1947 and 1957, research, geodetic surveys, studies, and conceptual designs were carried out.
From 1957 to 1977, main designs were developed and the basic canal network was constructed. The works were carried out under variable conditions, and the difficulties encountered caused delays and slowed down construction.
